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ayashe
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ayashe


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Join date : 2008-02-22

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PostSubject: Dances On Gor   Dances On Gor Icon_minitimeSat Feb 23, 2008 8:48 am

Steps to a gorean dance:
The Introduction
This part of the dance is where the slave sets the scene, provides an environment and backdrop, and sets the type of dance to be performed perhaps.
The Crescendo
The part of the dance where the events of the dance are outlined
(e.g. In a capture dance, this is where the slave describes her anger at being pursued by the dark stranger. Which later leads to her emotions of being captured)
The Pinnacle
The part of the dance where the dance peaks, where the goal of the dance is reached, where for example, the slave is captured, collared, forgiven.

The Finish
The part of the dance where the dance is closed or completed. This is where the music stops, the slave expresses her efforts and perhaps performs a closing position for the audience. She should always remember to speak to the room so that the Free actually realizes she is finished. e.g.:
~ breasts rising and falling with the exertion of her movements, sparkling jade green eyes lift as her gentle voice carries across the dance pit~ "this one thanks the FREE for watching her submission dance, and prays her dance has pleased them this night"
How to begin writing a dance:

A slave should pick out the dance she wishes to perform. Once this has been accomplished, she should write down as many of the adjectives she uses normally to describe herself during serves.

Next, she needs to picture in her mind where she will be performing the dance. Will it be in sand, on the ground, on tiles or in a Master's home or private chambers. She should include in this rough draft the physical appearance of the area such as the lighting of the room, the effects of the lamps/fres, description of music, emotions, scents and aromas, sexual movements. The more realistic the description the better.

A slave should then design the basic structure. She needs to keep in mind the type of dance she are trying to perform and the four main areas of a dance. This will help her structure the dance itself.

She then needs to add her attributes to her structure and begin to construct each paragraph with description of the moves. This is still considered the rough draft so be wild with it. All dances should be origional so use materials found in the slaves home (sand, snakes, ribbons, sticks of fire, etc). Do not focus so much on perfection...simply write out the steps as they come to mind. A slave will edit her dance many times after this until she is satisfied with it.

Once this is done, a slave should go back and read the first draft in whole form. Asking herself, was the steps there correct, did the dance build in intensity and did she convey what she set out to when she first thought of her concept?
A slave should then take paragraph by paragraph, expanding on the movements and physical attributes of both the area and herself....making them match the image that she first concieved. She should determine if the movements are actually feasible. Make it realistic

(e.g. a girl cant drop to her back and writhe in the sand then in the next line jump and twirl)

A slave should polish the text, making it elegant, flowing, beautiful, free and easy to read. The salve should capture the audience with her story, bringing them into her circle with her beauty and seduction.
Dances are harder than serves to freehand. So most homes allow the slave to write them, then copy and paste. But remember to time the pastings correctly, just in case there are interruptions in the room she is as she may to pause or escape.


Do not paste the paragraphs so fast that readers do not have a chance to read and see the beauty of her hard work. It also shows an unrealistic time frame.
And last but not least, a slave should always spell check her dance before performing it. There is nothing more irritating than a FREE person focusing on a slaves grammer/vocabulary and having them miss what was intended.

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